翻訳と辞書
Words near each other
・ "O" Is for Outlaw
・ "O"-Jung.Ban.Hap.
・ "Ode-to-Napoleon" hexachord
・ "Oh Yeah!" Live
・ "Our Contemporary" regional art exhibition (Leningrad, 1975)
・ "P" Is for Peril
・ "Pimpernel" Smith
・ "Polish death camp" controversy
・ "Pro knigi" ("About books")
・ "Prosopa" Greek Television Awards
・ "Pussy Cats" Starring the Walkmen
・ "Q" Is for Quarry
・ "R" Is for Ricochet
・ "R" The King (2016 film)
・ "Rags" Ragland
・ ! (album)
・ ! (disambiguation)
・ !!
・ !!!
・ !!! (album)
・ !!Destroy-Oh-Boy!!
・ !Action Pact!
・ !Arriba! La Pachanga
・ !Hero
・ !Hero (album)
・ !Kung language
・ !Oka Tokat
・ !PAUS3
・ !T.O.O.H.!
・ !Women Art Revolution


Dictionary Lists
翻訳と辞書 辞書検索 [ 開発暫定版 ]
スポンサード リンク

Cambodian architecture : ウィキペディア英語版
Khmer architecture

The period of Angkor is the period from approximately the latter half of the 8th century AD to the first half of the 15th century. If precise dates are required, the beginning may be set in 802 AD, when the founder of the Khmer Empire, Jayavarman II pronounced himself universal monarch (chakravartin) and declared independence from Java, and the end may be set in 1431 AD, when Thai invaders from the kingdom of Ayutthaya sacked Angkor and caused the Khmer elite to migrate to Phnom Penh.
In any study of Angkorian architecture, the emphasis is necessarily on religious architecture, since all the remaining Angkorian buildings are religious in nature. During the period of Angkor, only temples and other religious buildings were constructed of stone. Non-religious buildings such as dwellings were constructed of perishable materials such as wood, and so have not survived.
The religious architecture of Angkor has characteristic structures, elements, and motifs, which are identified in the glossary below. Since a number of different architectural styles succeeded one another during the Angkorean period, not all of these features were equally in evidence throughout the period. Indeed, scholars have referred to the presence or absence of such features as one source of evidence for dating the remains.
==Periodization==

Scholars have worked to develop a periodization of Angkorian architectural styles. The following periods and styles may be distinguished. Each is named for a particular temple regarded as paradigmatic for the style.〔The periodization of Angkorian architecture presented here is based on that of Freeman and Jacques, ''Ancient Angkor'', pp.30-31.〕
* Preah Ko Style (877-886 AD): Hariharalaya was the first capital city of the Khmer empire located in the area of Angkor; its ruins are in the area now called Roluos some fifteen kilometers southeast of the modern city of Siem Reap. The earliest surviving temple of Hariharalaya is Preah Ko; the others are Bakong and Lolei. The temples of the Preah Ko style are known for their small brick towers and for the great beauty and delicacy of their lintels.
* Bakheng Style (889-923): Bakheng was the first temple mountain constructed in the area of Angkor proper north of Siem Reap. It was the state temple of King Yasovarman, who built his capital of Yasodharapura around it. Located on a hill (phnom), it is currently one of the most endangered of the monuments, having become a favorite perch for tourists eager to witness a glorious sundown at Angkor.
* Koh Ker Style (921-944)
* Pre Rup Style (944-968): Under King Rajendravarman, the Angkorian Khmer built the temples of Pre Rup, East Mebon and Phimeanakas. Their common style is named after the state temple mountain of Pre Rup.
* Banteay Srei Style (967-1000): Banteay Srei is the only major Angkorian temple constructed not by a monarch, but by a courtier. It is known for its small scale and the extreme refinement of its decorative carvings, including several famous narrative bas-reliefs dealing with scenes from Indian mythology.
* Khleang Style (968-1010)
* Baphuon Style (1050–1080): Baphuon, the massive temple mountain of King Udayadityavarman II was apparently the temple that most impressed the Chinese traveller Zhou Daguan, who visited Angkor toward the end of the 13th century. Its unique relief carvings have a naive dynamic quality that contrast with the rigidity of the figures typical of some other periods. As of 2008, Baphuon is under restoration and cannot currently be appreciated in its full magnificence.
* Classical or Angkor Wat Style (1080–1175): Angkor Wat, the temple and perhaps the mausoleum of King Suryavarman II, is the greatest of the Angkorian temples and defines what has come to be known as the classical style of Angkorian architecture. Other temples in this style are Banteay Samre and Thommanon in the area of Angkor, and Phimai in modern Thailand.
* Baroque or Bayon Style (1181–1243): In the final quarter of the 12th century, King Jayavarman VII freed the country of Angkor from occupation by an invasionary force from Champa. Thereafter, he began a massive program of monumental construction, paradigmatic for which was the state temple called the Bayon. The king's other foundations participated in the style of the Bayon, and included Ta Prohm, Preah Khan, Angkor Thom, and Banteay Chmar. Though grandiose in plan and elaborately decorated, the temples exhibit a hurriedness of construction that contrasts with the perfection of Angkor Wat.
* Post Bayon Style (1243–1431): Following the period of frantic construction under Jayavarman VII, Angkorian architecture entered the period of its decline. The 13th century Terrace of the Leper King is known for its dynamic relief sculptures of demon kings, dancers, and nāgas.

抄文引用元・出典: フリー百科事典『 ウィキペディア(Wikipedia)
ウィキペディアで「Khmer architecture」の詳細全文を読む



スポンサード リンク
翻訳と辞書 : 翻訳のためのインターネットリソース

Copyright(C) kotoba.ne.jp 1997-2016. All Rights Reserved.